Arri Amira

Arri Amira

AMIRA - the perfect tool for your job - is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps.

It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion.                                               AMIRA supports workflows for live multi-camera productions in HDR according to BT.2100
    Hybrid Log Gamma (HLG) or Perceptual Quantizer (PQ)
    Cost efficient multicast HDR and SDR workflow with HLG
    Works with all AMIRA cameras and standard DTS camera chain components
    Best HDR with ARRI cameras

Available for all AMIRA models, the Multicam mode makes the exceptional image quality of ARRI’s ALEV III sensor available to productions within the multi-camera broadcast sphere. Through a Multicam setup, the AMIRA’s shallow depth of field, unrivalled dynamic range and natural colorimetry can lend a cinematic look to live broadcasts, music concerts, TV soaps, and other fast-paced, multi-camera productions.
At its core, Multicam is a simple and flexible interface that can be used with virtually any transmission system required. It allows the image parameters of multiple AMIRA cameras, including iris setting, to be controlled remotely using a Sony Remote Control Panel (RCP).
Model

AMIRA​​​​​​​

 
Sensor Type
Super 35 format ARRI ALEV III CMOS sensor with Bayer pattern color filter array
 
Sensor Maximum Resolution and Size
 
3200 x 1800
28.25 x 18.17 mm / 1.112 x 0.715"
⌀ 33.59 mm / 1.322"
 
Sensor Frame Rates
 
0.75 \- 200 fps
 
Photosite Pitch
 
8.25 μm
 
Sensor Active Image Area (photosites)
 
S16 HD: 1600 x 900
HD: 2880 x 1620
2K: 2868 x 1612
3.2K: 3200 x 1800
4K UHD: 3200 x 1800
ARRIRAW 16:9 2.8K: 2880 x 1620
 
 
 
 
 
Exposure Latitude
 
14+ stops over the entire sensitivity range from EI 160 to EI 3200 as measured with the ARRI Dynamic Range Test Chart (DRTC\-1)
 
Exposure Index
 
Adjustable from EI 160\-3200 in 1/3 stops
EI 800 base sensitivity
 
Recording Formats
 
MXF/ARRIRAW
Apple ProRes 4444 XQ
Apple ProRes 4444
Apple ProRes 422 HQ
Apple ProRes 422
Apple ProRes 422 LT
MPEG\-2 HD
 
 
 
 
Recording Frame Rates
 
ProRes HD: 0.75 \- 200 fps
ProRes S16 HD: 0.75 \- 200 fps
ProRes 2K: 0.75 \- 200 fps
ProRes 3.2K: 0.75 \- 60 fps
ProRes UHD: 0.75 \- 60 fps
MFX/ARRIRAW 16:9 2.8K: 0.75 \- 48 fps
MPEG\-2 HD: 23.976 \- 59.94 fps
 
 
 
 
Measurements (HxWxL)
 
149 x 139 x 309 mm / 5.8 x 5.4 x 12.1"
(camera body with PL lens mount)
 
Weight
 
∼4.1 kg / ∼9.2 lbs
(camera body with PL lens mount)
 
Operating Temperature
 
\-20° C to +50° C / \-4° F to +122° F @ 95% relative humidity max, non condensing, splash and dust proof through sealed electronics
 
Storage Temperature
 
\-30° C to +70° C / \-22° F to +158° F
 
Power Consumption
 
min. 52W
max. 84W
(Camera body with MVF\-1)