|AMIRA - the perfect tool for your job - is a truly versatile camera that combines exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 200 fps slow motion. The AMIRA ARRIRAW License Key enables in-camera 16:9 2.8K (2880 x 1620) MXF/ARRIRAW recording at frame rates of up to 48fps. |
It is suitable for a great variety of production types, from TV drama and low-budget movies to nature films, sports coverage, commercials, reportage, branded content and multi-camera live TV. Wherever you are headed and whatever you need to shoot, let AMIRA be your companion. AMIRA supports workflows for live multi-camera productions in HDR according to BT.2100
Hybrid Log Gamma (HLG) or Perceptual Quantizer (PQ)
Cost efficient multicast HDR and SDR workflow with HLG
Works with all AMIRA cameras and standard DTS camera chain components
Best HDR with ARRI cameras
Available for all AMIRA models, the Multicam mode makes the exceptional image quality of ARRI’s ALEV III sensor available to productions within the multi-camera broadcast sphere. Through a Multicam setup, the AMIRA’s shallow depth of field, unrivalled dynamic range and natural colorimetry can lend a cinematic look to live broadcasts, music concerts, TV soaps, and other fast-paced, multi-camera productions.
At its core, Multicam is a simple and flexible interface that can be used with virtually any transmission system required. It allows the image parameters of multiple AMIRA cameras, including iris setting, to be controlled remotely using a Sony Remote Control Panel (RCP).